A Visit With Jesus

 The Face of Jesus Through the Centuries

No contemporary portrait of Jesus is known to survive. Yet, from the earliest centuries of Christianity, artists have sought to portray Him through images that express His teaching, His humanity, His suffering, and His divine authority.

Timeline of Jesus Imagery     (Click graphic for full timeline)

These images offer a remarkable journey through Christian history. The youthful shepherd of the Roman catacombs, the majestic Christ of Byzantine mosaics, the deeply human figure of Renaissance painting, and the varied interpretations of modern artists all reflect the artistic traditions and spiritual concerns of their times.

This exhibition follows those changing depictions through eight historical periods. Each artwork is accompanied by information about its origin, creator where known, visual character, and significance within the history of Christian art.

Explore the Historical Periods

Choose a period to discover its artwork and the history behind it.

Christ and the Samaritan woman

c. AD 200-312

The Earliest Christian Images

The earliest surviving Christian images offer a surprising introduction to the history of Jesus in art. Rather than the familiar long-haired, bearded figure, Christ often appears as a youthful man, sometimes without a beard, dressed in the cloth…

Comodilla Catacomb Jesus

AD 313-600

Christ in the Christian Roman Empire

Following the legalization of Christianity, depictions of Jesus increasingly appeared in monumental churches, mosaics, sarcophagi, and devotional images. Christ could still appear as a youthful shepherd or miracle worker, but artists also portra…

The Virgin and Child with Angels — Santa Maria in Domnica

AD 601-1000

Byzantine Christ and the Age of Icons

In the Byzantine world, the image of Christ developed into one of Christianity's most enduring visual traditions. Jesus was frequently shown as a mature, bearded figure with long hair, a cross-marked halo, and a solemn gaze. He might hold a Gosp…

Crucifix of Saint Damian

AD 1001-1400

Christ in Medieval Art

Medieval artists portrayed Jesus in several complementary ways: the majestic ruler of the universe, the teacher who blesses his people, and the suffering Savior whose death invites personal reflection. Romanesque sculpture and mosaics often emph…

Crucifix by Donatello

AD 1401-1600

The Renaissance Christ

Renaissance artists brought new attention to the human body, natural space, individual expression, and classical ideals of beauty. Jesus remained the central figure of Christian art, but his appearance could now be rendered with convincing anato…

Supper at Emmaus

AD 1601-1800

Christ in Baroque and Enlightenment Art

Seventeenth-century painters often brought Jesus closer to the viewer through dramatic light, ordinary surroundings, and intensely human expressions. In the work of Caravaggio, Rembrandt, Velazquez, and their contemporaries, Christ may appear am…

Lord Almighty

AD 1801-1900

The Nineteenth-Century Christ

During the nineteenth century, representations of Jesus circulated more widely than ever through prints, illustrated Bibles, devotional books, and paintings reproduced for homes and churches. Many images presented a gentle, compassionate, long-h…

The Savior

AD 1901-2000

The Twentieth-Century Christ

The twentieth century brought both mass familiarity and remarkable diversity to images of Jesus. Widely reproduced devotional portraits reinforced the conventional bearded, long-haired Western Christ. At the same time, modern artists explored ex…

About the Collection

This exhibition traces how artists have portrayed Jesus across the centuries. The images reflect changing artistic traditions and cultural settings, not changes in the historical Jesus Himself.

Understanding the Images

Some artists emphasized Christ's humanity and suffering; others sought to express His divine authority, compassion, and glory. Their works tell us about the beliefs and visual language of the communities that created them.

Historical Research

Dates, artists, and origins are identified where evidence permits. Uncertain attributions and dates are noted in the individual artwork studies.