
c. 1100
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The San Damiano Crucifix is a painted Italian cross generally dated to the twelfth century. It became especially associated with Francis of Assisi, who prayed before it at San Damiano in the early thirteenth century. The date of that encounter should not be confused with the date of the painting.
The crucified Christ appears alive and composed, with open eyes and an upright bearing. Smaller figures surround him, placing the Passion within a larger company of witnesses. The composition emphasizes a victorious Christ rather than an isolated victim.
The cross joins the reality of the Crucifixion to the Christian conviction that the risen Jesus reigns. The witnesses place his death within the wider story of salvation.
The image preserves an Italian Romanesque form strongly influenced by eastern Christian painting, before the more visibly suffering crucified Christ became dominant in much western devotion.
Its association with Francis gave this older painted cross a lasting place in Franciscan spirituality and modern reproductions.
Franciscan accounts of the San Damiano cross; art-historical studies of Italian Romanesque painted crosses.